fuzznut > home > techno > shackleton – blood on my hands (ricardo villalobos apocalypso now mix)
Up&Coming: Freudian SlipReview: Radiohead Live at the Hollywood BowlInterview: Gideon ConnUp & Coming: CoalhouseGig Review: Ministry @ Manchester Academy 1Review: Supergrass - Diamond Hoo HaReview: Radiohead - NudeInterview: Andrew Hodson of The Matinee OrchestraOur Favourite Cover versions (Part One)Review: Les Savy Fav - Patty LeeReview: Stephen Malkmus & Jicks, Real Emotional TrashReview: The Feeling - Without YouReview: The Young Knives - Turn TailReview: The Futureheads - The Beginning of the TwistReview: Jimmy Eat World - Always BeReview: Doug Walker - The MysteryReview: Sugababes - DenialReview: Get Cape Wear Cape Fly - Find The TimeReview: Utah Saints - Something Good '08Review: We Are Scientists - After HoursUp & Coming: Little VolcanoesReview: The Gutter Twins - SaturnaliaChart Overview: 2nd March 2008Feature: A New BreedReview: Madness - NW5Review: Britney Spears - Piece of MeReview: The Courteeners - What Took You So LongReview: Adele - Chasing PavementsReview: Rockabye BabyReview: Neon Neon - Raquel

Shackleton – Blood On My Hands (Ricardo Villalobos Apocalypso Now Mix)1 June, 2007 — Stuart Brown

Skull Disco 12” 2007

I wasn't sure what to expect when I cued up the first side of this single - I picked it up on a whim, largely influenced by the cool white-on-black Egyptian imagery and the label moniker 'Skull Disco. You can't argue with a name like that.

The track is dark - a broodingly elemental slice of deep electro tech-esque house, with an impassionate, somewhat sinister spoken track layered on top. It builds nicely with industrial echoes resonating in the sparse soundscape, and resonant bass sweeps providing much of the form of the track.

On the obverse is the 'Ricardo Villalobos Apocalyso Now' mix, which maintains most of the same elements as the original mix but manages to impart a little more energy - and uses the vocal more prominently.

Overall

I'm intrigued by the Skull Disco label, and I'd be curious enough to sample some of their other material based on this release - but I feel it's lacking something. It's marvellously deep, almost soothing in its mystery, but as a standalone track it leaves me wanting a little more.

What next?More by Shackleton? More single reviews? More techno?