As far as I'm concerned, indie rock can be divided into two camps - the butch, swaggering lager-louts who sing about booze and girls, and the arty-farty types who write poetry and read lots of books in between recording albums. Les Savy Fav definitely fall into the latter category.
Ah, remixes. Naught better during lean times to fall back on resampling old classics - and I must confess, I'm a bit of a fan of the old classic Utah Saints' Something Good. It takes me back to a more honest age of computer music, rough-edged samples and synths, with more of an exploratory sound.
Craig David seems to have succumbed to one of the most pernicious diseases going around the music world at the moment: Jossstone-itis.
After a long while with little air-play, Swedish singer Robyn has
made a comeback with 'With Every Heatbeat', a dance record that even
non-dance fans will like.
Dance label Hed Kandi are trying to crack the charts with songstress Chanel, certainly a more commercial sound when compared to the previously exclusive house-snob attitude.
Now here's a track that can't quite make up what genre it should be in. Between the many varied remixes and edits, this ranges from jangly soft-pop rock to more uptempo funky house. What does remain between them, however, is the insistent and slightly jarring vocal - 'Luceeeeeeeee!'
Funky dance production group Supafly Inc had great success in the clubs with their Balearic-tinged single, Moving Too Fast, with decadent sampling and an ambience like an evening breeze. Finally breaking the charts, is it too late for a summer sizzler?
Basement Jaxx are back with their first single from album Crazy Itch Radio - Hush Boy is another slice of mixed-up electronica, featuring Vula Malinga (of 'Oh My Gosh' fame) on the lyrics. But have they still got the funk?
Here's an interesting recipe for a pop song: Take a Belgian pop singer, add some Eurovision style lyrics, and a pounding trance backing, and simmer across the UK in the clubs. Wait a second, though - Belgian?
The French are known for their quirkiness, and David Guetta is no exception. His quirky brand of dance music has proven very popular for TV adverts (Think Citroen) - but how does the single stand up on its own?